from an abandoned work.
London: Faber and Faber, (1958). First edition.
Stiff card covers with decorated paper d/w. (no cloth issue).
Touch of fading to spine o/b a fine copy.
Valentine M'Clutchy , The Irish Agent......
New York: D. & J. Sadlier, 1846. First U.S. edition.
orig. brown cloth,
408pp. Name on pastedown, some minor wear to extremities o/w a near fine copy.
Valentine M'Clutchy, The Irish Agent....Together With The Pious Aspirations, Permissions, Vouchsafements, and Santified Privileges of Solomon M'Shine.....With a Biographical Sketch of the Author by John Savage.
New York: D. & J. Sadlier & Co., 1880. Later U.S. edition. (This edition not noted in NUC which notes only NY1876).
orig. green cloth dec. in gilt,
xlviii, 408pp. Fine.
Willy Reilly and His Dear Coleen Bawn.
New York: Worthington, 1885. Reprint. "Franklin Edition."
orig. mustard cloth dec. in black,
458pp. Cheap paper a bit browned as usual o/w fine.
Story Telling New & Old. decorations by Jay Van Everen.
New York: Macmillan, 1961. First separate edition. (first published in "The Fountain of Youth" 1927).
Orig. paper boards,
GOGARTY, Oliver St. John.
Mourning Became Mrs. Spendlove......
New York: Creative Age Press, (1948). First U.S. edition. Signed by the author.
Near fine in a very good d/w.
(IRISH FICTION). QUINN, John. (editor).
A Portrait of the Artist as a Young Girl. With a foreword by Seamus Heaney.
(London: Methuen, 1986). First edition.
Fine in d/w.
Contains chapters on Maeve Binchy, Clare Boylan, Polly Devlin, Jennifer Johnston, Moly Keane, Mary Lavin, Joan Lingard, Dervla Murphy and Edna O'Brien.
(New York): New Directions Book, (1944). First U.S. edition.
Upper edge of boards sunned, top edge of front board scuffed o/w a very good copy in a d/w which although present is lacking the entire spine.
Stephen Hero. A Part of the First Draft of A Portrait of an Artist as a Young Man. Edited from the Manuscript in the Harvard College Library by Theodore Spencer.
(New York): New Directions, (1944). First U.S. edition.
Cloth backed boards.
Corners bumped, boards faded, spine lettering faded o/w good.
Barrington. With 25 Illustrations by H.K. Browne.
London: Chapman and Hall, 1872. New edition.
cont. green half calf, marble boards, raised bands,
(viii), 411pp. 1" crack at foot of outer front hinge, inner hinges cracked but in fact a very good copy.
Barrington. With Illustrations by Phiz.
London: Chapman and Hall, 1863. First edition.
cont. half calf, marble boards, raised bands, leather spine label,
411pp. Prelims foxed o/w a fine copy.
St. Patricks Eve.
London: Chapman and Hall, 1845. First edition.
orig. green cloth,
203pp. Spine faded o/w a fine copy.
Charles O'Malley, The Irish Dragoon. Edited by Harry Lorrequer. (pseud.) With Illustrations by Phiz.
Dublin: William Curry Jun. and Company, 1841. In two volumes. First edition.
cont. half calf, cloth,
(xii), 348; x, 336pp. Foxing to plates o/w a very good copy.
London: Walter Scott, 1895. First edition.
Conversations In Ebury Street.
London: William Heinemann, 1924. 1 of 1000 copies signed by the author.
cream paper spine, blue paper boards.
An about fine copy in a d/w which has some creasing on the upper panel.
Lewis Seymour And Some Women.
London: William Heinemann, (1917). First edition with new title. (a further rewriting of "A Modern Lover.")
A fine copy in d/w.
The Apostle. A Drama In A Prelude and Three Acts.
London: William Heinemann, 1923. 1 of 1000 copies signed by the author.
About fine in d/w.
The Pastoral Loves of Daphis And Chloe. Done Into English by....
London: William Heinemann, 1924. First edition. 1 of 1250 copies signed by the author.
Fine in d/w.
MOORE, T. Sturge.
The Little School.
New York: Harrcourt, Brace and Howe, 1920. First U.S. edition.
Cloth backed pictorial printed boards.
Travels of an Irish Gentleman In Search of a Religion, With Notes and Illustrations by the Editor of "Captain Rock's Memoirs." (pseud).
Philadelphia: Carey, Lea & Blanchard, 1833. First U.S. edition.
orig. cloth, paper spine label,
viii, (13)-328pp. Name on pastedown, some light wear to extremities but in face a nice copy.